June 
2025

CMA Music Festival

Nissan Stadium | 4 Day Pass, Fan Fair X

Dec 31,
2024

New Year’s Eve

Nashville.com Special Rates!

Dec 30 & 31, 
2024

Old Crow Medicine Show

Ryman Auditorium

Sugaray Rayford Brings Vintage Soul Vibe With New Album “Somebody Save Me”

Somebody Save Me slides gracefully between the new blues of Gary Clarke Jr. and Fantastic Negrito, the rock & soul stylings of The War & Treaty, and the vintage Daptone vibe of the late Charles Bradley and Sharon Jones, bringing a fresh take to classic sounds.
 
The album was written and produced by Forty Below Records founder Eric Corne. Best known for his work with blues legends John Mayall and Walter Trout, Corne and Forty Below have also launched the careers of several talented new artists, such as Sam Morrow, Jaime Wyatt and KaiL Baxley. A number of mainstays from Corne productions feature strongly here including guitarist Rick Holmstrom (Mavis Staples), bassist Taras Prodaniuk (Dwight Yoakam), drummer Matt Tecu (Jakob Dylan), keyboardist Sasha Smith (Sam Beam), guitarist Eamon Ryland (The Happy Mondays) and the horn section from Late Night with Conan O’Brien, Corne recorded the bulk of the record live and the chemistry of the performances infuses the songs with a spontaneity and raw emotion.
 
The ten songs on the album explore contrasting themes of darkness and light. There is social commentary like on “Time to get Movin’” “The mansions on the hillside / Look down on homeless camps / While we’re caught in the crossfire / Lookin’ for the exit ramps.” There are several love songs, including two gorgeous soul ballads, “My Cards are on the Table” and “Somebody Save Me”, the Stax inspired “You and I” and the more Motown leaning “Is it Just Me”, “She could bring peace / To the Middle East / They’d be ready to sign / Free the worst villain / From the tightest prison / And have the warden waving goodbye.”
 
The album is full of inspired arrangements with several unexpected twists and turns; like the John Barry (James Bond) inspired bridge of “Angels and Devils”; the wobbly 1950’s inspired keyboard solo and lush strings of the title tracks, recorded with The Section Quartet (Ryan Adams, Father John Misty); and the gospel choir, shape-shifting keyboards and dramatic horns of “The Revelator” which seamlessly blends blues, soul and jazz with a hint of reggae. But at the center of it all is Sugaray Rayford’s commanding voice, tying it all together.
 
With his 8-piece crack band and personal charm, Rayford’s live shows are quickly becoming re-known for their high-energy and celebratory nature, with Rayford whipping the crowds into a frenzy, like a Gospel Preacher, in the studio and in person, Sugaray Rayford is developing a reputation as a force to be reckoned with.

 

About Jerry Holthouse

Music editor for Nashville.com. Jerry Holthouse is a content writer, songwriter and a graphic designer. He owns and runs Holthouse Creative, a full service creative agency. He is an avid outdoorsman and a lover of everything music. You can contact him at JerryHolthouse@Nashville.com

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